Haunting Buzz - A blog about industrial thoughts pertaining to electronic music industry
Wednesday, 28 August 2019
Tuesday, 23 July 2019
Monday, 2 October 2017
Modern Djing Is Better With Manual Servicing
Day by day the advancement of
technology is getting bettered. Now a days softwares have almost taken places
of djing style and its performing better than the traditional somehow. It's
good and its a known status of act. There's not much to bother about it.
Currently the technical sides of djing i.e beat matching, mixing, looping,
composing...are mostly done by a software outsourced to computer. Then why
beatmatching, mixing etc..are called skills? The reliable fact is that skill
belongs to human and software belongs to computerized devices. Though it seems
virtually impossible to inculcate skill into the brain of computer but
considering the healthy goodness of this electronic generation there's a lot to
develop in computers for the futuristic peachiness.
Dj sets are not fixed and track
selection changes from venue to venue. Different crowd influences different
cities, festivals, nightlife. How a computer can well be adjusted with this
versatility in djing? Computer acts according to commands. In a festival there
will be thousands of commands. Can a computer remember all the commands at a time?
Can a computer react to the emotionality of crowd? You cannot expect a
particular one scene in djing. It will change inconsistently and its not
possible for computer to set a new standard every while. While to maintain the
computer programming here an IT specialist required more than a dj, because its
all about programming, not music. It's more as a task not as a play.
Some people may think about automix
here. But automix cannot serve upto our interest and its just a controlled
force of what a particular computer thinks. If computers are developed with the
flexibility of crowd choices then at least 70% problems in modern djing would
be solved. Again when a dj is playing his/her set from crowd prospective he/she
has to be active by ears/mind. Catching the attraction of crowd is not easy as
easy as it feels to say. It takes a longtime to develop this skill and by playing
a lot of sessions somehow its helpful to understand the crowd from a live
impact.
Some may even think about developing
a crowd feedback system by which a person can show his/her like or dislike for
a particular track. Isn't its too stressful. May it seems to be an easygoing in
initial stage but as a real clubber one going to feel heck as a clubber to do
it continuously. Clubbers want to feel the tune, music they are there for
enjoyment not to perform tasks. More or less this activity will seem like a
task and its not good in long run. The clubbers emotion will tell all the
things which track is peaky and which one feels down. Accordingly the dj
changes the track simultaneously with the nonverbal clue. This is where a dj
can setup the tone, which computer can't do.
Computers can match genre, tempo, up
and down pitches of sound, recording limitless data, but it can’t control the
change of data sequence which djs now a days do. Being the centre of concept, a
dj understands the culture out there in a live mode and he/she manages the up
and down of pitches, and change of track selection. Being a well known divine
listener of music a dj is there in the club/festival to perform for his crowd
for a particular time and creating a musical journey with the evolvement of
moods and involvement of emotion on behalf of the partygoers or dance groovers.
The root of dj culture is nothing but a collective performance of an equality
of respect between the crowd and dj. It's possible with the help of good
understanding, not a peach programming.
Wednesday, 20 September 2017
Weekly Music Mix - Buzzcast Progression 06
Buzzcast Progression 06 out now....
Tracklist:
Masanori Yasuda – City Of Lights (Original Mix)
Andy Tau – Homeland (Original Mix)
Tsukishiro Hikari – Entanglement
Entis – Synesthesia
Insight – Endless Summer (Original Mix)
Onez!e – Without You (Original Mix)
Roald Velden – Without Regret (Original Mix)
Airdeep – Memories (Original Mix)
Dallonte – Let Me Stay (Original Mix)
Tracklist:
Masanori Yasuda – City Of Lights (Original Mix)
Andy Tau – Homeland (Original Mix)
Tsukishiro Hikari – Entanglement
Entis – Synesthesia
Insight – Endless Summer (Original Mix)
Onez!e – Without You (Original Mix)
Roald Velden – Without Regret (Original Mix)
Airdeep – Memories (Original Mix)
Dallonte – Let Me Stay (Original Mix)
Monday, 18 September 2017
Music Is One Love Irrespective Of All Genre
is an essential mindset for every growing dj. Avoiding various genres and
sticking to favorite ones is a slavery act in music culture. As a dj music
should be your first love, irrespective of genres. Also avoiding specific
genres of music limits your creativity and gig scheduling opportunities. This
is a known problem in beginning djs. You are on your profession for your public
view along with personal love and your personal love i.e. music has to be up with
professional standard. During our baby stage we generally tend to stick to
those tunes what other members in our family hear. Throughout our growing
stages of life, taste of music has also changed a lot by our surroundings,
friends, family, influencers etc...
Music forms a part of our identity
and we always strongly defend it irrespective of any issue. Sometimes we subconsciously set our
mind to love every musical genres those come across our life. But in reality
our mind is set to perceive the goodness about only those music which we think
suits our tastes. This actually is a serious issue as a dj because you are not
sure about your career professionally and you have a doubt regarding your
preference for other genres(excluding your favorite ones). In the djing world
this is maturity obscurity. We always look forward to favorite tunes in the
internet; something tremendous, and always feel proud to put those songs in our
collection. This is the reason for downhill progression as a dj.
When as an ambitious person by a dj
you start visiting local clubs/festivals, you most of the time see pro dis
playing their sets. It may be 2, 4, or 6 hours.
They are getting strong appreciations for their sets from the crowd. You
feel those djs as your idols so you check everything about them. You start listening
to their tracks and you seemed to enjoy those sounds like never before and you
just want to stick to those tunes. Isn't what you wanted to be like those dis?
It's basically a fan activity, an ardent desire that is so true but as a dj
this activity does not sound true to the profession. Its all about playing
great music. Those Djs have a bigger picture than you. They already gone
through your various stages of passion and now you are just getting the splice
of their music what you thought to be great.
There are so many records and so
many different genres of music are to be listened. Sometimes you may find that
one track which you think would have been great if I became like that dj. By
listening to broad genres of music you will develop yourself as a prolific
listener of music and it will make you a better person as a dj. You give an
open mind to creativity, you interact with a variety of audience, switching
genres in your sets. These all things go a long in one’s career. Follow other
dj’s successful sets and have a clear mindset about how and when you should
switch genres in a dj set. Connect with more people and therefore be preferred
for more gigs.
There are plenty of good music are
available to listen and more is being added on daily basis. In real you are not
sure which track is your favorite? You listen plenty of sounds, you find some
of them are excellent. The reason is you are not quite adaptive to other music
beyond your comfort. Listen to wide variety of music and don't expect anything
from it. You just need to find happiness in every music you hear. The thirst
for the best sounds is never-ending and it will go on throughout your whole
life. Every music has some quality in itself and its upto djs to believe on it.
The more variety you hear the more you will be adaptive and improve.
Listen to the podcasts of some great
djs. For example, ASOT(A State Of Trance). At one time you will hear progressive,
main room trance, extending beats, and the other time you will be running with
138 bpm strokes. It's an ability that has developed over a longtime and its
nothing less than a reward in itself...as the owner of ASOT (Armin Van Burren)
says ‘Don't BE A PRISONER OF YOUR OWN STYLE’.
Friday, 15 September 2017
Always Carry Your EPK While On The Go
EPK – Electronic Press Kit. Whether
you are a dj, music producer, or vocalist, to get into the stage of big playings
is natural and its not going to be worthy in long run without EPK. EPK is
essentially a document normally showcases a discography about an artist or
agency, links to your music, latest releases, links to your social profile,
links to your website etc... These things must be presented in an epk. When
preparing an epk you should care for it from a viewer's prospective. Let's have
a look at in detail.
Wherever your music is, whether its
in soundcloud, youtube, mixcloud or spotify, make sure you have listed all your
links in detail on epk. Short links don't act professionally here. Everyone
wants to hear what your music sounds like, specially when you are trying to get
professional in music. Being an individual artist always mention about your
latest release of singles or album and give a free download link to them, also
links to the all sites where all you have posted that.
For any EPK Professional pictures
are minimum requirement. The promoters/club manger if they feel verified at
their best about your profile, chances are they will use your image for
advertisement. Don't just shoot photo just for the sake of profile picture.
Come up with a concept and try to think of something creative. Hiring a
professional photographer will be helpful here. Tell them about your creativity
and then let them do their work. If you don't have a professional picture right
now, then use your profile picture instead. Make sure to upload it in high
quality. As your picture will be used in promotional campaigns, it has to look
good and attractive to the best possible quality.
Your website is a great resource to
your EPK. Show your depth information about yourself there. All the clients,
managers, promoters will first checkout your website. So make sure to list it
in your epk. Promoters as well as record labels wants to keep a track of your
level of hard work and how much you are willing to push forward the scene to a
better level. In social media you need an engaging audience to turn them up for
your shows. Also don't forget to update your website, social sites from time to
time. An EPK will not be a valuable thing if you don't update them effectively.
Mention your past roles as an
artist, list of shows (specially recent ones), types of achievement(if any).
Talk about some experiences with your creative live visual aspects, working
with club promoters to set a new standard of clubbing, fan love etc...(special
moments). These are the things needed to be done to know about you in detail.
Language and grammar should be set at professional level.
Videos are on fast track these days.
A great way to bring people to your circle is to have a good quality video
footage. Live performance, live music, some euphoria moments, footage of these
videos will definitely be eye catching attraction in itself. Any type of videos
related to your profession will bring positive value to your EPK. You can also
upload those videos to your website or social sites or to your youtube channel
by linking to them on your epk. But a straight video (website upload) is better
than a referred video.
Lastly make sure to mention your
contact details. Once you have prepared your epk, make it automatically a
dropbox link through which you can send your epk or if you can upload it in
your website, so that organizations can download it. While for physical
distribution keep a bunch of catalogues of EPK in your bag. You shouldn’t loose
any opportunity related to your EPK. Have a good time....
Wednesday, 13 September 2017
Weekly Music Mix - Buzzcast Progression 05
Buzzcast Progression 05 out now.
Tracklist:
David Broaders & Density Fuzion – Breathe (Forerunners Remix)
Axxound - Pavilion (Original Mix)
Firas Tarhini - Eternal (Original Mix)
Fast Distance – Safari (Original Mix)
Magnus Mykleby & Terry Da Libra – Flight1 (Original Mix)
Lumidelic – Healing Energy (Original Mix)
Shingo Nakamura - Whither (Original Mix)
George F. Zimmer – One Last Dance (Original Mix)
Taival – When Words End (Original Mix)
Tracklist:
David Broaders & Density Fuzion – Breathe (Forerunners Remix)
Axxound - Pavilion (Original Mix)
Firas Tarhini - Eternal (Original Mix)
Fast Distance – Safari (Original Mix)
Magnus Mykleby & Terry Da Libra – Flight1 (Original Mix)
Lumidelic – Healing Energy (Original Mix)
Shingo Nakamura - Whither (Original Mix)
George F. Zimmer – One Last Dance (Original Mix)
Taival – When Words End (Original Mix)
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